Basic Information About Andrew Stanton
Category | Celebrities βΊ Directors |
---|---|
Professions | Film director, Film Producer, Screenwriter, Voice Actor |
Net worth | $40,000,000 |
Date of birth | 1965-12-03 (58 years old) |
Place of birth | Rockport |
Nationality | United States of America |
Curiosities and Trademarks | Uses music by Thomas Newman |
Spouse | Julie Stanton - (2 AugustΒ 1991 - present)Β (2 children) |
Gender | Male |
Social Media | βοΈ Wikipedia βοΈ IMDb |
Famous Network of Celebrities with Similar Net Worth
What Movie Awards did Andrew Stanton win?
Oscar |
Golden Globe |
Golder Raspberry |
BAFTA |
Other |
---|---|---|---|---|
2 | 0 | 0 | 2 | 45 |
Andrew Stanton awards
Award Name | State | Movie / Series Name | Year |
---|---|---|---|
Hugo - Best Dramatic Presentation | Nominee | Toy Story | 1996 |
Oscar - Best Animated Feature Film of the Year | Winner | WALLΒ·E | 2009 |
BAFTA Film Award - Best Animated Film | Winner | WALLΒ·E | 2009 |
BAFTA Children's Award - Best Feature Film | Winner | WALLΒ·E | 2008 |
EDA Award - Best Writing, Original Screenplay | Winner | WALLΒ·E | 2008 |
ACCA - Best Original Screenplay | Winner | WALLΒ·E | 2008 |
Robert - Best American Film (Γ rets amerikanske film) | Nominee | WALLΒ·E | 2009 |
David - Best Foreign Film (Miglior Film Straniero) | Nominee | WALLΒ·E | 2009 |
DFCS Award - Best Director | Nominee | WALLΒ·E | 2008 |
FCCA Award - Best Foreign Film - English Language | Nominee | WALLΒ·E | 2009 |
Hollywood Film Award - Animation of the Year | Winner | WALLΒ·E | 2008 |
Hugo - Best Dramatic Presentation - Long Form | Winner | WALLΒ·E | 2009 |
Humanitas Prize - Feature Film Category | Winner | WALLΒ·E | 2009 |
INOCA - Best Animated Feature | Winner | WALLΒ·E | 2009 |
IOFCP Award - Best Original Screenplay | Winner | WALLΒ·E | 2009 |
Silver Ribbon - Best Non-European Director (Regista del Miglior Film Non-Europeo) | Nominee | WALLΒ·E | 2009 |
NTFCA Award - Best Animated Film | Winner | WALLΒ·E | 2009 |
Premio Guarani - Best Foreign Film | Winner | WALLΒ·E | 2009 |
Rembrandt Award - Best International Film (Beste Buitenlandse Film) | Nominee | WALLΒ·E | 2009 |
Nebula Award - Best Script | Winner | WALLΒ·E | 2009 |
SLFCA Award - Best Animated Film | Winner | WALLΒ·E | 2008 |
International Theater Award - | Winner | WALLΒ·E | 2010 |
UFCA Award - Best Director | Winner | WALLΒ·E | 2008 |
VES Award - Outstanding Animation in an Animated Motion Picture | Winner | WALLΒ·E | 2009 |
Christopher Award - Feature Films | Winner | Ratatouille | 2008 |
SEFCA Award - Best Original Screenplay | Nominee | Toy Story 2 | 2000 |
Oscar - Best Animated Feature | Winner | Finding Nemo | 2004 |
BAFTA Children's Award - Best Feature Film | Nominee | Finding Nemo | 2004 |
Amanda - Best Foreign Feature Film (Γ rets utenlandske kinofilm) | Nominee | Finding Nemo | 2004 |
Discover Screenwriting Award - | Nominee | Finding Nemo | 2004 |
Screen International Award - | Nominee | Finding Nemo | 2003 |
Gold Derby Award - Original Screenplay | Nominee | Finding Nemo | 2004 |
Hollywood Film Award - Animation | Winner | Finding Nemo | 2003 |
Hugo - Best Dramatic Presentation - Long Form | Nominee | Finding Nemo | 2004 |
Humanitas Prize - Feature Film Category | Nominee | Finding Nemo | 2004 |
INOCA - Best Animated Feature | Winner | Finding Nemo | 2004 |
ALFS Award - Director of the Year | Nominee | Finding Nemo | 2004 |
Nebula Award - Best Script | Nominee | Finding Nemo | 2004 |
International Theater Award - | Winner | Finding Nemo | 2005 |
WAFCA Award - Best Screenplay, Original | Nominee | Finding Nemo | 2003 |
BAFTA Children's Award - Best Feature Film | Winner | Monsters, Inc. | 2002 |
Hugo - Best Dramatic Presentation | Nominee | Monsters, Inc. | 2002 |
BAFTA Film Award - Best Animated Feature Film | Nominee | Finding Dory | 2017 |
EDA Award - Best Animated Feature Film | Nominee | Finding Dory | 2017 |
ACCA - Best Animated Feature Film | Nominee | Finding Dory | 2016 |
Gold Derby Award - Animated Feature | Nominee | Finding Dory | 2017 |
SFCS Award - Best Animated Feature | Nominee | Finding Dory | 2017 |
Rondo Statuette - Best Film | Nominee | John Carter | 2012 |
Bradbury Award - | Nominee | John Carter | 2013 |
Andrew Stanton roles
Movie / Series | Role |
---|---|
Cars | Fred (voice) |
Toy Story | Writer |
Toy Story | Writer |
Toy Story | Commercial Chorus (voice) |
Toy Story 3 | Writer |
WALLΒ·E | Director |
WALLΒ·E | Writer |
WALLΒ·E | Writer |
WALLΒ·E | Axiom Passenger #1 (voice) |
Toy Story 4 | Writer |
Toy Story 4 | Writer |
Toy Story 2 | Writer |
Toy Story 2 | Writer |
Toy Story 2 | Emperor Zurg (voice) |
The Incredibles | Additional Voices (voice) |
Finding Nemo | Director |
Finding Nemo | Writer |
Finding Nemo | Writer |
Finding Nemo | Crush (voice) |
Monsters, Inc. | Writer |
Finding Dory | Director |
Finding Dory | Writer |
Finding Dory | Writer |
Finding Dory | Crush / Additional Voices (voice) |
John Carter | Director |
John Carter | Writer |
A Bug's Life | Director |
A Bug's Life | Writer |
A Bug's Life | Writer |
A Bug's Life | Bug Zapper Bug #2 (voice) |
Stranger Things | Director |
For All Mankind | Director |
Better Call Saul | Director |
Legion | Director |
Made in Hollywood | Self 2 episodes, 2012-2016 |
FETCH! with Ruff Ruffman | Crush 1 episode, 2010 |
Tales from the Loop | Director |
Andrew Stanton's Quotes
- A lot of people think if they make a computer-animated film, it's going to be a hit. I'm afraid we're going to see a glut of really bad films in the next couple of years
- One thing that's a blessing at Pixar is that ever since Toy Story, we've made the films we wanted to make. When making Toy Story, we first started out by trying to please all these executives at Disney, and it failed. And in this last-ditch effort for fear of having the film shut down, we sort of locked ourselves in our room and just made what we would want to see. And that became the Toy Story that everybody knows. So we've decided ever since then to just listen to the audience member in ourselves, and not worry about the demographics. I'm a family man, I have kids, and I go to the movies. And I'm just going to make the kind of movie I want to see. And if it doesn't match perfectly for somebody else, so be it, but at least it's an artist being pure with their vision.
- I'm not naive about what's at stake. But I almost feel like it's an obligation to not further the status quo if you become somebody with influence and exposure. I don't want to paint the same painting again. I don't want to make the same sculpture again. Why shouldn't a big movie studio be able to make those small independent kinds of pictures? Why not change it up?
- I was writing WALLΒ·E (2008) so long ago, how could I have known what's going on now? As it was getting finished, the environment talk started to freak me out. I don't have much of a political bent, and the last thing I want to do is preach. I just went with things that I felt were logical for a possible future and supported the point of my story, which was the premise that irrational love defeats life's programming, and that the most robotic beings I've met are us.
- We were always frustrated that people saw CG as a genre as opposed to just a medium that could tell any kind of story. We felt like we widened the palette with Toy Story (1995) but then people unconsciously put CG back in a different box: 'Well, it's got to be irreverent, it's got to have A-list actors, it's got to have talking animals.'
Interesting Facts about Andrew Stanton
- Joined Pixar in 1990 as its second animator and ninth employee.
- Has a son named Ben and a daughter named Audrey with his wife, Julie Stanton.